In 2006, we built a partnership aimed at developing site-specific public participatory art installations. Coming together with a common interest in site-specific work, the interrelationships between art and public and our extensive experience in creating innovative multi-disciplinary performance and image-based work, we began our studio Thomas+Guinevere.

What distinguishes our work from most conceptual and relational art practices is our insistence on the primacy of the visual and aesthetic impact of the work. Socially and historically relevant, interactive, and truly public through participation, we create a sculptural landscape by conducting an optical experiment on a grand scale that can be experienced from multiple perspectives. From afar our work creates a temporal sculptural form, while up close the work offers accessibility into an experiential and visceral intimacy with the content.

Our inspiration comes from the integration of a particular location, history and collective memory. To this end, we rely on an interdisciplinary mix of creative collaborators who participate in the artwork’s process and realization.

Our artistic process is defined by how we adapt and evolve our initial concepts into a methodology that overcomes the inherent constraints of location and production, and transforms them into opportunities we believe necessary for an open and inclusive creative environment.

Our practice confronts and challenges the preconceived ideas of creativity as an isolated and exclusive experience belonging only to the artist. We offer creative engagement as a larger more integrated experience of everyday life.